Musée des Beaux Arts by Wystan Hugh Auden

 


 

About the poet: Wystan Hugh Auden ( 1907-1973) is considered one of the leading poets of the thirties.Among his best known poems,  "Funeral Blues"; which is based on the theme of love,  "September 1, 1939" on political and social themes,  and "The Shield of Achilles";  , The Age of Anxiety; based on cultural and psychological themes and on "For the Time Being" and "Horae Canonicae" religious themes .His work was inspired by the oeuvre of great literary figures like Hopkins and Eliot. The hollowness of the disintegrating, post war civilization , was also one of the major themes explored by Auden. He was an advocate of communism as well as Marxism. He revives the old concept that a writer is a professional craftsman who teaches and entertains, rather than expressing his personality which again contradicts the ‘egotistic sublime’ of the romantic poets.

On the poem: This poem is a typical poem which on one hand, focuses on human suffering, personal tragedy and indifference of  other people towards other’s misfortune on the other. "Musée des Beaux Arts" (French for "Museum of Fine Arts") was written by W. H. Auden in December 1938 while he was staying in Brussels, Belgium, with Christopher Isherwood. It was first published under the title "Palais des beaux arts" (Palace of Fine Arts) in the Spring 1939 issue of New Writing, a modernist magazine edited by John Lehmann. The poem encapsulates his experience of visiting the museum of the same name during his stay in Brussels that winter. He was immensely influenced by the painting of Pieter Brueghel, the elder. Bruegel's The Census at Bethlehem, The Massacre of the Innocents, and Landscape with the Fall of Icarus were the paintings described in the poem. The poem contains 21 lines and two stanzas.

Comments

Popular posts from this blog

A Flowering Tree: A Woman's Tale by A.K. Ramanujan from an Ecofeminist perspective

Freedom to the Slave by H.L.V. Derozio:

Sylvia Plath’s Mirror: Summary and Critical Appreciation